Notes on The Merchant of Venice
-sources include Il Pecorone (1558) by
Ser Giovanni, a lost play entitled The Jew, and The Jew of Malta
by Christopher Marlowe.
-though grouped with the comedies, it lacks lightness
and benevolence; instead it verges on the tragic.
-the play focuses upon anti-semitism, money, and
death; additionally, the clowns do not offer refreshing moments of laughter.
-may be thought of as folk story made into a fairy
tale.
-there is a dual plot: the casket plot and the bond plot; a less significant sub-plot is the Christian-Jew love story between Jessica and Lorenzo.
-of the main characters, there is mixed critical
judgment. Antonio, loyal to a fault, is nonetheless melancholy and bigoted;
Portia, the bright young woman really steals the show with her courtroom
mastery of Shylock; Shylock, though not the main character, commands a
great deal of our attention because he is so psychologically fascinating;
he is money grubbing but in our most honest moments so are many of us.
-the central theme of the play concerns the relationship between mercy and justice, between the new law and the old law, between the spirit and the flesh; other than Measure for Measure, this play may be the most explicitly focused on Christian ideas and themes.